House Of Frankenstein

Now in an episode of the marvellous Horror Etc podcast, one of the the hosts, the very genial Anthony DP Mann claimed that in his opinion Universal never made a truly bad horror film in this era. And while I wholehearted concur with this, it has to be said that House of Frankenstein is easily the weakest entry in the saga.

In the trailer for this monster rally, Universal promised audiences a whopping five monsters in one flick! Obviously raising the stakes from two to three monsters just wasn't good enough! So here we have the tale of Dr Niemann (Monster #1 - The Mad Scientist) and his quest to continue his experiments and extract revenge on those who have crossed him. Niemann, played with relish by Boris Karloff, is perhaps best described as a Frankenstein wannabe - he even emulates his hero right down to having a deformed assistant (Monster #2 - The Hunchback). And in the course of the movie, he revives not only the Frankenstein monster and the Wolf Man, but Dracula too (Monsters #3, #4 & #5 natch).

Now that's a whole lotta monsters! Now considering the patchy pairing of Frankenstein Meets The Wolf Man, it's no real surprise that the script has trouble fitting all these villains into one movie. But in the main, surprisingly, they do manage it! No mean feat, when you consider the concept for the film is more a good hand in a game of Top Trumps than an actual storyline.

Admittedly the Frankenstein monster doesn't get a whole lot to do until thefilm's finale and spends most of its screen time literally lying down on the job. But though the monster doesn't do alot, it is a key element in Niemann's schemes, and so in terms of the storyline at least, the monster's prescence is well integrated.

The main focus of the movie revolves around Niemann, Larry Talbot and the Hunchback Daniel. There is a nice dynamic between the three characters, and a neat subplot involving romantic rivalry between Daniel and Larry for the affections of a gypsy girl. Gypsy girl? I hear you cry ... Yes, with the inclusion of a hunchback, sorry make that 'The Hunchback', rather than having Daniel as a stock mad scientist assistant in the vein of Fritz or Igor, Universal decided to go more mythic and echo the classic Quasimodo and Esmeralda relationship.

Dracula's inclusion however is less well executed. The plot device of Niemann reviving the Lord of The Vampires and coercing him into serving his revenge plot is introduced well enough, but then the action wanders away from the main story. So in effect we have a Dracula vignette inserted into the middle of the film, which does rather chop up the flow of the story.

Now, how does this monster rally fare in terms of continuity? Surprisingly fairly well. Better than Frankenstein Meets The Wolf Man, though in fairness, this film didn't have to content with all of one characters dialogue being cut. However there is one major howler - Dracula is revived from his staked skeleton when we all know that the Count's remains were incinerated by his daughter on a misty moor. Well, all of us who saw Dracula's Daughter do at any rate - a movie that seems to have passed the script writers by. And when Dracula is revived he now looks like John Carradine, who doesn't in the slightest resemble Lugosi. Still I suppose we could claim that this is a relation of the original Dracula (as we do for Son Of Dracula)...

But continuity snarl-ups are par for the course, particularly this late in the series, and House of Frankenstein is actually far better than either of it two immediate predecessors in this regard. However where the script really falls down is in terms of sense! Frankly Niemann's revenge plan is utterly bonkers on every level. It is revealed that when he finally captures two of his enemies, he plans to insert the brain of the Wolf Man into one, and transplant the brain of the other into the monster's body. All of which will result in one undergoing the curse of lycanthropy and the other being trapped in a patchwork body.

Now aside from the basic confusion in the script, that putting Talbot's brain in another body, will simply put Larry in a new body, this plan is still round the twist. Ok, so one of your enemies will now have the power to turn into the Wolf Man and claw you into kibble faster than you can say 'Who's afraid of the Big Bad Wolf'. And the other will suffer the living hell of being trapped in an inhumanly strong and virtually indestructible body. Great work Niemann - a revenge that will effectively gives your victims super powers! Genius! As Zaphod Beeblebrox would say - "Ten out of ten for style, minus several million for good thinking".

Then again Niemann is the Mad Scientist in this movie, so you could argue that as a wannabe Frankenstein he has got the wrong end of the stick and taken the 'mad' bit of his job description literally. Which would explain why his plan to play muscial brains is so totally tonto...

But enough of this plugging of clincially insane plot holes! I'll start sounding as barking as Niemann himself if I'm not careful. So onto performances. Chaney is dependable as ever as poor doomed Larry Talbot and Karloff really seems to be enjoying playing the scientist rather than the monster for once. J. Carrol Naish is also excellent as Daniel, giving the character a nice sense of pathos and playing of Karloff and Chaney very well. Carradine though seems a little unsure in his portrayal of the Count, and in fairness the script isn't doing him any favours. (However in the next movie in this series, he really - obligatory bad pun alert! - gets his teeth in to the role). Glen Strange is fine as the monster in the little he has to do, but it is pleasing to see the character being played by an actor with the correct height and build once again.

Now despite the problems in the script, this is still an entertaining movie. However when the script does work, such as the scenes playing out the love triangle between Talbot, Daniel and Illonka, the movie really hits the quality mark. Harking back to The Hunchback of Notre Dame was a very inspired touch. Indeed I can't help feeling that there's a truly great little movie in here trying to get out - and with another couple of drafts done on the screenplay, it could have made it.

In general, the cast really try to make it work, and there still some very nice set pieces and cinematography despite the reduced budget. Yes, it is the weakest entry in the series but it's not a bad movie by any means. It's not a great movie either, but it is really good fun. Watch it with your tongue firmly in your cheek and you'll probably have a blast with this.

JIM MOON, 4th December 2008